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Jim talks with Tia Carrere and Jason Scott Lee of Lilo and Stitch

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Wong Kar-wai
Director

Wong Kar-wai is acknowledged as one of the most exciting and influential directors in contemporary world cinema.

Born in 1958 in Shanghai, Wong moved to Hong Kong with his parents when he was five years old. He obtained a diploma in graphic design from Hong Kong Polytechnic School, and became a television production assistant. He worked on numerous TV series and entered the Hong Kong film industry as a screenwriter, winning renown in the genres that were most fashionable in the early 1980s: he was commissioned to write several comedies, whodunits, and "weepies," including The Final Victory (1987), which his mentor Patrick Tam directed.

Wong Kar-wai's directorial debut, As Tears Go By (1988), gave him the opportunity to work with actress Maggie Cheung [Man-yuk] for the first time. The film, which established Wong's strong visual style, introduced him to the world film community as an up-and-coming talent at the 1989 Cannes International Film Festival, where it screened as a "Critics' Week" selection.

Wong gathered together Hong Kong's most popular young stars (including Maggie Cheung and Tony Leung [Chiu-wai]) for his next project, Days of Being Wild (1991). The film, set in a vividly imagined 1960, won five Hong Kong Film Awards, including Best Film, Best Director, and Best Actor (Leslie Cheung). The project was planned as a diptych, but the second part was never made.

In 1992, he convened another all-star cast of Hong Kong actors (who again included Maggie Cheung and Tony Leung) to make a period martial-arts drama, one which deliberately went againest all the codes of the genre, in remote regions of China. The shoot for Ashes of Time lasted nearly two years. The film world-premiered at the 1994 Venice Film Featival.

During a break in the post-production of Ashes of Time, Wong made Chungking Express (1994), an up-to-the-minute comedy of longing and romance. Tony Leung starred in the film, which became a huge popular success in many countries.

Next from the filmmaker came Fallen Angels, based on an idea for a sketch that was written for Chungking Express but dropped at the last minute, which premiered at the 1995 Toronto Film Festival to widespread critical acclaim.

Happy Together, a daring film telling the tale of two Chinese homosexuals exiled in Argentina during the hand-over of Hong Kong to China, was filmed on location (with pick-up shots done in Taipei). The film world-premiered at the 1997 Cannes International Film Festival, where Wong was awarded the Best Director prize.

In the Mood for Love, reuniting Wong with two of his favorite actors (Maggie Cheung and Tony Leung), was filmed in Hong Kong, Thailand, and at Angkor Wat (in Cambordia). At the 2000 Cannes International Film Festival, the film received two awards, including Best Actor (Tony Leung).

Wong Kar-wai is currently at work on 2046, his first science-fiction film, which is being shot in various Asian countries with an international cast (including Tony Leung, Faye Wong, Carina Lau Kar-ling, Takuya Kimura, and Chang Chen).

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Related:
AC Interviews Wong Kar-wai (In the Mood for Love)

 

 

 


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